Ecofeminism delves into the profound relationship between women and nature, highlighting the ways both are subjected to exploitation by patriarchal and capitalist structures. Ecofeminism remains an important interdisciplinary framework that connects environmental justice with feminist theory. Recent research delves into the intersections of ecofeminism with posthumanism, indigenous knowledge, reproductive health, and political resistance. The most recent papers highlight an increasing emphasis on global perspectives, the involvement of women in environmental activism, and the philosophical foundations of ecofeminism in relation to current social and environmental challenges. Indian cinema has effectively showcased ecofeminist themes through powerful female characters who defend the environment, challenge oppression, and represent the sacred connection between femininity and the natural world. This paper analyzes Hindi films such as Sherni (2021), Kadvi Hawa (2017), Jal (2013), Highway (2014), and NH10 (2015) that embody ecofeminist principles. It also features award-winning short films like Amma Meri (2018) and literary adaptations such as The Hungry Tide by Amitav Ghosh. The study seeks to demonstrate how Indian filmmakers leverage cinema to promote environmental justice and gender equality. As researchers, when we learn about the valuable theory of ecofeminism, it’s natural to want to explore it more and share that knowledge for future understanding. In today’s technology-driven era, using visual storytelling, like films and other media platforms, is one of the most effective ways to engage people. Since human nature is drawn to interesting and visually appealing content, cinema can be a powerful tool to highlight the connection between women and nature. Women have long been primary caretakers of nature, and they are often the first to feel the effects of natural disasters. Showcasing this relationship through films and media can help raise awareness and make the message more impactful and relatable.