Susan Howe, recognized as one of the most innovative American poets of our day, Susan Howe is noted for her radically experimental and fragmented poetic structures that disallow any smooth assumptions regarding the text, meaning, and history. Combining fragments of historical documents with memories and typographic experiments, Howe's works offer rich opportunities for multidisciplinary inquiry. Titled “From Fragment to Form: Multidisciplinary Insights in Susan Howe’s Poetry,” this paper proposes to read Howe's poetry by way of literary theory, Derridean grammatology, history, and cultural studies, as an act that illustrates how her recursive fragmentation of text peaks multiple layers of meaning. Howe with special attention to the interaction of form and content, the use of historical material, and the breakdown of linear narrative. Under the domain of Derrida's grammatology, the paper conceives Howe's deconstruction of language. Through a qualitative and interpretive study, the paper attempts the analysis of selected works of age as writing itself being the site for the creation of meaning. Besides, from a multidisciplinary standpoint, this paper illuminates how insights from literature, philosophy, and history intermesh, revealing the depth and complexity of her texts. This research argues that Howe’s poetry is not merely a literary experiment but a cultural and historical exploration; fragments become tools for reconstructing memory and interrogating the past. Further on, the study describes how the innovative use of typography, spatial configurations, and non-linear narratives demands that the reader actively participate in creating meaning. Bridging disciplinary boundaries, this paper argues that contemporary literary studies indeed are open to incorporating a variety of analytical lenses, thus supporting a truly holistic approach in the reading of a poetic text. The findings highlight the importance of multidisciplinary approaches in literary research and promote the adoption of philosophical, historical, and cultural approaches to experimental poetry. This study offers new insight for the rising debate in contemporary poetics, Derridean theory, and interdisciplinary literary criticism, reinforcing the ongoing importance of Howe's work for understanding the link of text to form and meaning.